Hills – Master Sleeps
Rocket Recordings
First released in
2011, Master Sleeps is a welcome and timely reissue (not least as the original vinyl
pressings are rare as hen’s teeth) from Gothenburg’s Hills. Thankfully, the
design conscious team lads at Rocket have seen fit to re-house the album in a
much more attractive cover by Bruno Borges. Hills have been playing dreamy,
organic psych rock since 2007 and earlier this year released their ‘Live’ album
which channelled the relentless pagan repeato jams of primetime Parson
Sound/International Harvester and the Velvet’s Sister Ray. As an aside, Hills
also have some inscrutable links to fellow countrymen – the all conquering
Goat, and also share their love of all things tribal and hedonistic.
Rise Again opens the
album with a rumbling Wooden Shjips style drive, shot through with phased
guitar solos and tape echoed vocals. Bring Me Sand starts in a much more
meditative fashion but soon ramps up into a spacey raga infused jam, pushed
forward by an intense, unvarying motorik rhythm that underpins the exotic
melodies powerfully. You could well be
heading out on an unscheduled and invigorating inner flight. Clara’s Vaggvisa offers gentle respite with
its sleepy organ lines and the sound of babies mewling ambiently. It’s actually
quite beautiful and much less saccharine than you would imagine.
The Vessel arcs back
to Rise Again with its fuzz guitars weaving in and out of a tumbling backbeat,
offering something of a wake up call after the somewhat dreamy lullaby of the
previous track. The title track Master Sleeps fades in from midway through,
suggesting that it could be part of a longer stoned-out jam. Reminiscent of CAN
at their height, the vocals take on Damo Suzuki’s soft focus stream of
consciousness, whilst the rest of the band lock in to a wonderful classic kraut
groove which mesmerises all the way to the end. Operating heavy machinery at
the same time as listening to this could prove to be unwise. The album ends on
the mystical dirge of Death Shall Come, a spacious ritualistic drone wracked
with existential fear and finished the album on a sombre and ominous note.
First published on Beard Rock
No comments:
Post a Comment